Wednesday, October 28, 2009

Kethia's Corner: "That Which Destroys Me Nourishes Me"

Kethia's Corner is a special to the official Liberated Muse blog where guest writer Kethia Clairvoyant shares her personal insights with readers on stories that speak about the arts, human struggles and progressive movement. Here is her first installment.

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That Which Destroys Me Nourshes Me

Sometimes a writer's pen serves a greater purpose than to inform. Sometimes a painter's brush serves a greater purpose than to create an image. And sometimes a dancer's body serves a greater purpose than movement. The pen, brush, and body also nourish the writer, painter, and dancer.

As patrons of the arts, most of us realize that an artist often suffers for his art. But what about the many who have been brought to art because of their sufferings?

I had recently read a story about Mary Murphy, an accomplished dancer and choreographer on the world-wide stage. However, she did not start dancing until she was in college and already a young bride. At age 19 she married a Jordanian man from a prominent family, and soon after she found herself being regularly raped and beaten by her new husband. From then on until their subsequent divorce, he also belittled and manipulated her at his will. He would only show her a sliver of goodwill at his whim and fancy, almost starving her for affirmation about her self-worth.

But one day she sees a posting requesting a dance teacher who the studio itself would be willing to train. This was the turning point in her life. Being away for an hour or so at the studio was a welcome respite for her from her husband who sexually, verbally, emotionally, physically, and financially abused her for almost a decade.

She began to feel again. Through dance, she felt safe from his oppression; through the art of movement, she felt free to fully express herself and to feel joy; through the grace of her body (the body that her abuser so reviled), she felt beautiful within herself knowing that she could create something that was so beautiful.

The level of fear and anxiety that particularly exists in domestic abuse very quickly actualizes itself into a pain that becomes so innate within the heart of the abused that we journey to a place where we can’t separate ourselves from our abusers. We subsequently can’t separate ourselves from the pain inflicted by the abuser. Like the saying, “Become one with the music,” we become to identify and become entwined solely with that level of suffering. That pain becomes innate, as though it was always there and could never leave.

But for those of us who can find healing through the arts, we no longer need to hold onto that pain and conversely it no longer needs to hold onto us.

The Silent and Deadly Killer
For me and so many countless others, this form of victimization rears its ugly head in many forms, all of which threaten to create a permanent emotional crippling of its intended target. Domestic and child abuse take the form of a silent and deadly killer: it's almost always hidden, the abuser denies it, the abused is engulfed with shame and confusion, and loved ones who witness or are made aware of the abuse can be filled with shame and guilt.

When everyone feels that they have to tip-toe around this “secret”, the abused individual then continues to tote around that burden and left to continue feeling victimized and violated. And then you can either choose to live or to die. After coming full circle with my painful past, an aunt of mine had told me that you can’t do either one half-way. If I chose to live, then I must conduct my life as I see fit and not continue to be beaten down and made to feel helpless by my abusers. At that time, I had once again lost a sense of myself and once again I needed to find the inspiration to return to myself.

Fortunate to have found my original inspiration as a child through writing, I was inspired through an intricate network of caring teachers (writers and artists) to find refuge and perhaps even solidarity through the written word. I gained exposure to another world through other artists' living works. I was encouraged to write in order to discover an innate, latent talent that was percolating just below the surface of the hurt and anguish.

I was inspired to ravage my school's library throughout the academic year, my city library during the holiday breaks, and the daily newspaper delivered to my home. I was inspired to detail the world around me and to catalogue it through my point of view. I was inspired to apply a reason, a just cause, to my existence and forced subjection to a violent life at home. And I was inspired to realize and always remember that something better was waiting for me on the other side of this torment; in turn, to remain centered: to not lose my core sense of independence, determination, and self-worth.

Art Heals
Art inspires healing. It continues to inspire me to be connected with my emotions, uncovering them for the first, second, and umpteenth time. I have come to understand that is OK to acknowledge, feel, and express them – perhaps many all at once, perhaps the same emotions every day, however I was moved in that moment.

When Mary had found dance and was exposed to its healing effects on her emotional and mental state, it gave her a quiet strength, strangely enabling her to better endure the pain of the abuse. She regained control over her being, slowly relinquishing domestic abuse’s power over her. She now had her art that no one could touch or take away from her. It drowned and washed away that destructive force. And then she was free.

I myself know that I have always been at my happiest when I'm active in the arts. It could just be seeking out new literature or admiring and finding inspiration through a photograph or artwork. I was moved to be better, to feel better, to do better; and to believe that I could be liberated from this present place and time to one of my making.

We can sometimes romanticize artists' lives, their fiery temperament, and even their past and present sufferings. However, for some of us that suffering is so palpable and so ingrained in us that it threatens to destroy us if we don't have an outlet through which to channel it.

There is a timely saying that observes “That what destroys me nourishes me.” I believe that sometimes we as human beings are made to endure both the worst depravity of human nature and the most unfortunate life experiences in order to retain our resilience and to be fastidious in our life-long quest to find the inspiration to lift up our hearts and enlighten our minds towards personal and community (or societal) growth. We have to always look for that inspiration that art gives us to think, to feel, and to be better within ourselves.

Thursday, October 22, 2009

FreeSoul@ ArtSpring in Silver Spring, MD-- October 31

Make sure you join Liberated Muse on Sat., Oct. 31 from 4pm-7pm for an afternoon of music for grown-folk and arts & crafts activities for the kiddies before they go trick or treating. Performers Quineice Clarkson, Sadie Flick, Ne'a Posey and Gary Young will entertain while young folks can make masks and other fun things for the fun season. The event takes place at ArtSpring, an art store in Silver Spring, MD which sells the Liberated Muse publication Liberated Muse Volume I: How I Freed My Soul (Outskirts Press, 2009) and artwork by Liberated Muse member Sharon Burton. Copies of the book Liberated Muse Volume I: How I Freed My Soul will be signed by editor Khadijah Ali-Coleman and Sharon Burton who created the artwork on the cover of the book.

Email us at LiberatedMuseProductions@gmail.com for questions about the event.

Monday, October 19, 2009

Prudence Bonds: Paintings of Life in Color


(In photo: "Sun is shining" by Prudence Bonds, currently in the Liberated Muse exhibit @ the Potter's House in DC)

Born in Florida and raised in Washington, DC since infancy, Prudence inherited the “creative
gene” and started to draw at age four. Throughout childhood and adolescence, Prudence
expressed several methods of creativity including sewing dolls’ clothes and writing poems and
short stories to relate to her drawings. As a teenager, she attended the Corcoran School of Art
for figure drawing and photography & film development. She began painting consistently in
2001 and in April 2003 participated in the Smithsonian Early Enrichment Center’s 10th Annual
Scholarship Fund benefit auction. Prudence donated “Girl Tantalus”, an original work of acrylic
on canvas portraying the fabled origins of the word tantalize.

(In photo: "Femininity" by Prudence Bonds which is currently in the Potter's House exhibit curated by Sharon Burton and presented by Liberated Muse. The piece sold at the start of the exhibit yet is still displayed)
Artist Statement
I depict people living throughout the African Diaspora, and beyond, by using color, texture, and
introspection. Since acceptable images of human concepts such as love and beauty are
perpetuated through art, literature, music, and the media, my pieces echo the attempt made by
people of color to redefine and re-present those concepts in their terms.
Visit her work in the current Liberated Muse art exhibit at the Potter's House in Washington, DC @The Potter's House, 1658 Columbia Rd NW, Washington, DC.

The art exhibit is curated by Sharon Burton of Authentic Contemporary Art. The artwork is from artists from the book Liberated Muse Volume I: How I Freed My Soul and the network http://www.liberatedmuse.com/.

The exhibit runs from Sept. 11-Dec. 1

Friday, October 16, 2009

James Terrell--- Musician & Painter--- Exhibits Work in Potter's House Exhibit



James Terrell is a renaissance man-- singer, musician, and painter who is currently featured in the Liberated Muse exhibit at the Potter's House in DC. James is a strong performer who's vocal stylings are unique and poignantly emotional and his artwork is from the same element.

Born and Raised in DC, James Terrell is a singer songwriter guitarist and figurative painter.He graduated from Howard University with a BFA in painting. He graduated from Parsons School of Design in NYC with a MFA in painting. He received his M. Div from Columbia University/Union Theological Seminary in NYC with a focus on Theology and the Arts (painting and music). He has exhibited his paintings in Galleries from DC to NYC. He has performed his music on stages between DC and NYC. The music and art of James Stephen Terrell crosses cultural lines.

James' music incorporates the basic principles of urban folk, country, gospel and blues. The music is a breath of fresh air. The music is not based on fades, seduction, degradation, decadence and materialism. The music and art of James Terrell is a reflection of everyday working people. It represents and speaks to people who live, die and struggle to make their dreams a reality. The music and art of James Terrell is said to be a commentary on the world in which we live.

Visit his page on LiberatedMuse.com HERE


Visit his work in the current Liberated Muse art exhibit at the Potter's House in Washington, DC @The Potter's House, 1658 Columbia Rd NW, Washington, DC.

The art exhibit is curated by Sharon Burton of Authentic Contemporary Art. The artwork is from artists from the book Liberated Muse Volume I: How I Freed My Soul and the network http://www.liberatedmuse.com/.

The exhibit runs from Sept. 11-Dec. 1

Monday, October 12, 2009

This Weekend's Green Fest Featured Liberated Muse members




Did you miss this weekend's Green Fest in Washington DC? If so, you can read more HERE about what happened, checking out photos and performances. Liberated Muse members Deedee Kirby, Labtekwon, Mahoganee, Dee Stone and founder Khadijah "Moon" Ali-Coleman were among the featured acts. If you went, what were some of the highlights of the event for you?

Friday, October 9, 2009

Actress, Poet & Visual Artist Jade Andwele

Jade Andwele (writer/performer) is a visual artist, actress, creator and writer who focuses on healing and connecting through the arts and creativity. Jade is an advocate for women, the Black community, and youth focusing on social justice, and sexual and mental health. She is currently a founding mother/member of the Saartjie Project and is working on several projects including a play on depression in the Black community, her memoir, visual art, and completing her poetry chapbook When the Music is too Loud: A Book of Love Poems. The piece above is currently in the Liberated Muse exhibit Celebration of Freedom @ the Potter's House. It was recently purchased but will remain part of the exhibit which runs from Sept. 11 to Dec. 1. Jade is a member of the http://www.liberatedmuse.com/ community. You can visit her page HERE.


She can be reached at jadeandwele@gmail.com and you can read her blog at



Visit her work in the current Liberated Muse art exhibit at the Potter's House in Washington, DC @

The Potter's House

1658 Columbia Rd NWWashington, DC


The art exhibit is curated by Sharon Burton of Authentic Contemporary Art. The artwork is from artists from the book Liberated Muse Volume I: How I Freed My Soul and the network http://www.liberatedmuse.com/.


Join Jade and all of the artists on Sat., November 14 for an Artist Reception at the Potter's House.