Thursday, December 31, 2009
Top 10 Liberated Muse Highlights of 2009
Monday, December 28, 2009
Goapele Show is a Night of Hits and Many Misses
(In photo: Goapele warmed her audience up with some of her favorites, including a cover of Diana Ross' "Love Hangover" Photo by Khadijah Ali-Coleman)
The room quickly filled with folks and before long, we were standing shoulder to shoulder in the small area that contained the small stage, the bar and a roped off area for VIPs who were allowed to sit on a choice of two or three couches. We weren't VIPs on this night, so we continued to stand.
(In photo: Liberated Muse member Hook of MYST studios and Liberated Muse co-founder Maceo Thomas. Photo by Khadijah Ali-Coleman)
Saturday, December 19, 2009
LiberatedMuse.com Member Nominated for WAMMIE Award!
Liberated Muse Attends 7th Anniversary of the Potter's House Sounds of Hope series
Tuesday, December 15, 2009
New Liberated Muse Production: Call for Actresses
Liberated Muse Production is currently seeking actresses for the production Running: Amok which is currently being considered to appear in the 2010 Capital Fringe Fest.
We are seeking six women between the ages of 25-45 years-old for the production who are performing artists and mothers able to identify with this piece.
All those interested must have a performing arts talent such as singing, dance, spoken word or playing instrument and all must have acting ability.
If you are interested in being considered for this show, please submit your bio, a recent photo and link to your website (if applicable) to LiberatedMuseProductions@gmail.com. Please have your information in by Friday, January 8, 2009
In your email, please explain why you are interested in participating in this show.
Please click HERE to read more about what the production is about.
Auditions will begin in early 2010
Visit http://www.amokrunning.wordpress.com for more information.
Friday, December 4, 2009
Congrats to Grammy Nominee Christylez & Seeking Partners for the 2010 Capital Hip Hop Soul Fest
Christylez has had a phenomenal 2009, performing nationally and becoming the first hip-hop artist to be featured at the Smithsonian Folklife Festival. Christylez was one of the first featured acts in the debut of the Capital Hip Hop Soul Fest in Washington DC in 2008.
Christylez is already poised to launch a new project in the early months of 2010. In partnership with stage director, Patrick Crowley, Christylez will produce an interdisciplinary concert which will use drama and dance to complement Christylez' musical work. During this production, the Christylez Bacon Orchestra and all new content will also be introduced. The production will result in a concert entitled; Christylez Bacon Theatricalized that will premier at Atlas Theater’s Intersections Festival late February of 2010 and will be comprised of two shows. The production will run until early March of 2010.
Visit Chrisylez' website at www.christylez.com for more information on his work.
Wednesday, November 25, 2009
Last Week of the Liberated Muse Exhibit "Celebration of Freedom"
So, all good things must come to an end, and such is the case with the debut exhibit of Liberated Muse-- "A Celebration of Freedom". The exhibit ends next week on Dec. 1.
(In photo: Poet/singer/actress Dehejia Maat at the Liberated Muse event Capital Rhythm & Soul last week at the Potter's House. The exhibit "Celebration of Freedom" is a backdrop for the event)
(In photo: Visual artist Marshetta Davis discusses her painting with those who came out for the Nov. 14 artist reception for the artists included in the Celebration of Freedom exhibit.)
(In photo: Sharon Burton and a guest attend the artist reception held on Nov. 14. Her piece "Believe" is in the background)
(In photo: Singer/visual artist James Terrell stands by his piece "Coltrane" (up top) which was inspired by jazz legend John Coltrane. James is a gifted performer and performed in last week's Liberated Muse event Capital Rhythm & Soul)
(In photo: Liberated Muse's co-founder Khadijah "Moon" Ali-Coleman (left) with artist Stephan Cox and artist Shanta Monroe (right) with her daughter Zoe. All four pose in front of the "Celebration of Freedom" exhibit during the Nov. 14 artist reception for the exhibit)
Saturday, November 21, 2009
Amazing Evening Last Night
The event Capital Rhythm & Soul was a fundraising event for the nonprofit Southeast Ministry that benefits adults and youth in GED prep and literacy education. The event was part of the Potter's House Sounds of House benefit concert series.
Featured artists included: Anonamas, Farah Lawal, C. Love, James Terrell and Khadijah "Moon" Ali-Coleman, featuring Gary Young. The Walidane Drummers performed the finale.
What an evening of thankfulness; a perfect pre-cursor to Thanksgiving.
If you couldn't make it but would like to donate to Southeast Ministry, email us at LiberatedMuseProductions for more information.
Sunday, November 15, 2009
Capital Rhythm & Soul this Friday
Friday, November 6, 2009
H Street Main Street: From Vision to Reality
H Street Northeast is one of the fastest developing commercialcorridors in the District of Columbia. An affiliate of the NationalTrust for Historic Preservation and a certified member of the NationalMain Street Program. We are built around the power of organizationsand volunteers working together.
A shopping hot spot for many of America’s working class for yearsbefore and after the 1968 riots. H Street Main Street seeks toacknowledge the legacy and heritage of a community undergoing urbanrenewal and capture the stories behind the cultural and historicalassets of the one-and-a-half mile commercial corridor, giving thestreet many of it’s unique character and traditions from the 1900’sand beyond.
Input from individuals in the communityis being sought to develop a time line and tapestry of influential people, places, businesses andevents in and around H Street Northeast. They are also in need ofvolunteers- writers, researchers, interviewers, photographers, and you!
Come out on Saturday, November 7 from 11:00 AM -12:30 PM at the MartinLuther King Jr. Library, 901 G Street NW, (Gallery Place Metro) RoomA-5 for an informational session about the project and how you can getinvolved.
For additional information about sponsorship and other details, please
contact T. Isler, Project Director at (202) 250-0466 orharvestpotluck@gmail.com.
This project is sponsored in part by H Street Main Street, the DC Humanities Council and the Capitol Hill Community Foundation.
Monday, November 2, 2009
Liberated Muse This Month
Wednesday, October 28, 2009
Kethia's Corner: "That Which Destroys Me Nourishes Me"
As patrons of the arts, most of us realize that an artist often suffers for his art. But what about the many who have been brought to art because of their sufferings?
I had recently read a story about Mary Murphy, an accomplished dancer and choreographer on the world-wide stage. However, she did not start dancing until she was in college and already a young bride. At age 19 she married a Jordanian man from a prominent family, and soon after she found herself being regularly raped and beaten by her new husband. From then on until their subsequent divorce, he also belittled and manipulated her at his will. He would only show her a sliver of goodwill at his whim and fancy, almost starving her for affirmation about her self-worth.
But one day she sees a posting requesting a dance teacher who the studio itself would be willing to train. This was the turning point in her life. Being away for an hour or so at the studio was a welcome respite for her from her husband who sexually, verbally, emotionally, physically, and financially abused her for almost a decade.
She began to feel again. Through dance, she felt safe from his oppression; through the art of movement, she felt free to fully express herself and to feel joy; through the grace of her body (the body that her abuser so reviled), she felt beautiful within herself knowing that she could create something that was so beautiful.
The level of fear and anxiety that particularly exists in domestic abuse very quickly actualizes itself into a pain that becomes so innate within the heart of the abused that we journey to a place where we can’t separate ourselves from our abusers. We subsequently can’t separate ourselves from the pain inflicted by the abuser. Like the saying, “Become one with the music,” we become to identify and become entwined solely with that level of suffering. That pain becomes innate, as though it was always there and could never leave.
But for those of us who can find healing through the arts, we no longer need to hold onto that pain and conversely it no longer needs to hold onto us.
For me and so many countless others, this form of victimization rears its ugly head in many forms, all of which threaten to create a permanent emotional crippling of its intended target. Domestic and child abuse take the form of a silent and deadly killer: it's almost always hidden, the abuser denies it, the abused is engulfed with shame and confusion, and loved ones who witness or are made aware of the abuse can be filled with shame and guilt.
When everyone feels that they have to tip-toe around this “secret”, the abused individual then continues to tote around that burden and left to continue feeling victimized and violated. And then you can either choose to live or to die. After coming full circle with my painful past, an aunt of mine had told me that you can’t do either one half-way. If I chose to live, then I must conduct my life as I see fit and not continue to be beaten down and made to feel helpless by my abusers. At that time, I had once again lost a sense of myself and once again I needed to find the inspiration to return to myself.
Fortunate to have found my original inspiration as a child through writing, I was inspired through an intricate network of caring teachers (writers and artists) to find refuge and perhaps even solidarity through the written word. I gained exposure to another world through other artists' living works. I was encouraged to write in order to discover an innate, latent talent that was percolating just below the surface of the hurt and anguish.
I was inspired to ravage my school's library throughout the academic year, my city library during the holiday breaks, and the daily newspaper delivered to my home. I was inspired to detail the world around me and to catalogue it through my point of view. I was inspired to apply a reason, a just cause, to my existence and forced subjection to a violent life at home. And I was inspired to realize and always remember that something better was waiting for me on the other side of this torment; in turn, to remain centered: to not lose my core sense of independence, determination, and self-worth.
Art inspires healing. It continues to inspire me to be connected with my emotions, uncovering them for the first, second, and umpteenth time. I have come to understand that is OK to acknowledge, feel, and express them – perhaps many all at once, perhaps the same emotions every day, however I was moved in that moment.
When Mary had found dance and was exposed to its healing effects on her emotional and mental state, it gave her a quiet strength, strangely enabling her to better endure the pain of the abuse. She regained control over her being, slowly relinquishing domestic abuse’s power over her. She now had her art that no one could touch or take away from her. It drowned and washed away that destructive force. And then she was free.
I myself know that I have always been at my happiest when I'm active in the arts. It could just be seeking out new literature or admiring and finding inspiration through a photograph or artwork. I was moved to be better, to feel better, to do better; and to believe that I could be liberated from this present place and time to one of my making.
We can sometimes romanticize artists' lives, their fiery temperament, and even their past and present sufferings. However, for some of us that suffering is so palpable and so ingrained in us that it threatens to destroy us if we don't have an outlet through which to channel it.
There is a timely saying that observes “That what destroys me nourishes me.” I believe that sometimes we as human beings are made to endure both the worst depravity of human nature and the most unfortunate life experiences in order to retain our resilience and to be fastidious in our life-long quest to find the inspiration to lift up our hearts and enlighten our minds towards personal and community (or societal) growth. We have to always look for that inspiration that art gives us to think, to feel, and to be better within ourselves.
Thursday, October 22, 2009
FreeSoul@ ArtSpring in Silver Spring, MD-- October 31
Email us at LiberatedMuseProductions@gmail.com for questions about the event.
Monday, October 19, 2009
Prudence Bonds: Paintings of Life in Color
(In photo: "Sun is shining" by Prudence Bonds, currently in the Liberated Muse exhibit @ the Potter's House in DC)
Born in Florida and raised in Washington, DC since infancy, Prudence inherited the “creative
gene” and started to draw at age four. Throughout childhood and adolescence, Prudence
expressed several methods of creativity including sewing dolls’ clothes and writing poems and
short stories to relate to her drawings. As a teenager, she attended the Corcoran School of Art
for figure drawing and photography & film development. She began painting consistently in
2001 and in April 2003 participated in the Smithsonian Early Enrichment Center’s 10th Annual
Scholarship Fund benefit auction. Prudence donated “Girl Tantalus”, an original work of acrylic
on canvas portraying the fabled origins of the word tantalize.
I depict people living throughout the African Diaspora, and beyond, by using color, texture, and
introspection. Since acceptable images of human concepts such as love and beauty are
perpetuated through art, literature, music, and the media, my pieces echo the attempt made by
people of color to redefine and re-present those concepts in their terms.
The art exhibit is curated by Sharon Burton of Authentic Contemporary Art. The artwork is from artists from the book Liberated Muse Volume I: How I Freed My Soul and the network http://www.liberatedmuse.com/.
The exhibit runs from Sept. 11-Dec. 1
Friday, October 16, 2009
James Terrell--- Musician & Painter--- Exhibits Work in Potter's House Exhibit
James Terrell is a renaissance man-- singer, musician, and painter who is currently featured in the Liberated Muse exhibit at the Potter's House in DC. James is a strong performer who's vocal stylings are unique and poignantly emotional and his artwork is from the same element.
Born and Raised in DC, James Terrell is a singer songwriter guitarist and figurative painter.He graduated from Howard University with a BFA in painting. He graduated from Parsons School of Design in NYC with a MFA in painting. He received his M. Div from Columbia University/Union Theological Seminary in NYC with a focus on Theology and the Arts (painting and music). He has exhibited his paintings in Galleries from DC to NYC. He has performed his music on stages between DC and NYC. The music and art of James Stephen Terrell crosses cultural lines.
James' music incorporates the basic principles of urban folk, country, gospel and blues. The music is a breath of fresh air. The music is not based on fades, seduction, degradation, decadence and materialism. The music and art of James Terrell is a reflection of everyday working people. It represents and speaks to people who live, die and struggle to make their dreams a reality. The music and art of James Terrell is said to be a commentary on the world in which we live.
Visit his page on LiberatedMuse.com HERE
Visit his work in the current Liberated Muse art exhibit at the Potter's House in Washington, DC @The Potter's House, 1658 Columbia Rd NW, Washington, DC.
The art exhibit is curated by Sharon Burton of Authentic Contemporary Art. The artwork is from artists from the book Liberated Muse Volume I: How I Freed My Soul and the network http://www.liberatedmuse.com/.
The exhibit runs from Sept. 11-Dec. 1
Monday, October 12, 2009
This Weekend's Green Fest Featured Liberated Muse members
Friday, October 9, 2009
Actress, Poet & Visual Artist Jade Andwele
Wednesday, October 7, 2009
Eyewurks Photography's Shan'ta Monroe is featured in Liberated Muse book and art exhibit
Ms. Monroe’s artwork has been exhibited in galleries and periodicals throughout the United States. She is also a poet featured in print and online publications. Currently she freelances for several different publications and is preparing to showcase her paintings and digital photography in galleries and art shows along the east coast. She is based in Prince George’s County, MD.
The Potter's House
1658 Columbia Rd NW
Washington, DC
The art exhibit is curated by Sharon Burton of Authentic Contemporary Art. The artwork is from artists from the book Liberated Muse Volume I: How I Freed My Soul and the network www.LiberatedMuse.com.
Monday, October 5, 2009
Sankofa Doll Artistry's Sherry Burton-Ways in Liberated Muse Art Exhibit in DC
Sherry Burton-Ways, a Washington, DC-based art doll and mixed media artist creates straight from the soul. Ways is a self-taught emerging artist, born in the “City of Brotherly Love”, Philadelphia, PA and raised in rural upstate New York, her imagination and artwork began to evolve slowly. She began working with cloth dolls four years ago after participating in a doll making workshop with notable Washington, DC textile artist Francine Haskins.
Her mixed media work consists of creating meaningful images by bringing together the figurative form of One of a Kind (OOAK) mixed media dolls into a two dimensional textural form on canvas, watercolor paper or other surface as part of a collage. In her work, Ways intricately sews her mixed media art dolls using advanced techniques; others are fused collage with top-stitching, painting, beading or other embellishments. Burton-Ways uses various fabrics, particularly, batiks and African fabric, as her base medium in all her mixed media work. Adding other media such as paper, yarn, Popsicle sticks, canvas pieces, wire, pipe cleaners, photography, watercolor, acrylic paint, beads, metals, crowie shells and most recently spray paint to this base.
Burton-Ways artistic style is influenced by her personal spiritual journey, racism, the feminist movement, and urban life. African and African American folk art movements are also evident in her work.
Her work have recently been published in “Black Dolls: A Comprehensive Guide to Celebrating, Collecting and Experiencing the Passion” by Debbie Behan Garrett, Doll Castle News Magazine and Soft Dolls and Animals Magazine. Recently, Burton-Ways has been asked to contribute to another book by another nationally known doll artist. Burton-Ways is a former Board member of the Ward 7 Arts Collaborative, in Washington, DC; a member of the Advisory Committee of the Honfluer Gallery in Washington, DC and also serves as a Patron member of the National Institute of American Doll Artists (NIADA).
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Visit Sherry on http://www.liberatedmuse.com/ to view more photos and read more about her by clicking HERE
Visit her work in the current Liberated Muse art exhibit at the Potter's House in Washington, DC @
The Potter's House
1658 Columbia Rd NW
Washington, DC
The art exhibit is curated by Sharon Burton of Authentic Contemporary Art. The artwork is from artists from the book Liberated Muse Volume I: How I Freed My Soul and the network www.LiberatedMuse.com. The exhibit runs from Sept. 11-Dec. 1
Friday, October 2, 2009
The Artist CHOKE is featured in Liberated Muse exhibit
While she likes to work on her art with her nose and mouth covered, when you are in conversation, her face is uncovered and her youthful and pleasant face is often broken out into grin. Whether she is doing live art—painting on display while some form of entertainment is taking place—or setting up shop at a local festival to sell her artistic creations, Choke is most likely taking care of business. She has been in the east of the river area a lot this past summer—seen doing live art at the Capital Hip Hop Soul Fest and selling her wares and engaged in numerous outdoors activities in the area all summer.
In the Works
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Visit Choke’s blog online at chokephotography.blogspot.com. Her work is currently exhibited in the exhibit “Celebration of Freedom” at the Potter’s House on Columbia Road, NW, Washington, DC. For inquiries, contact her at (571) 278-8932 . The art exhibit is curated by Sharon Burton of Authentic Contemporary Art. The artwork is from artists from the book Liberated Muse Volume I: How I Freed My Soul and the network www.LiberatedMuse.com.
Rising Star Chaquis Maliq Shares Fave Moments from the International Soul Music Summit
Liberated Muse: What were highlights for you from the International Soul Music Summit in Atlanta, GA?
CM: The first day of the Summit was great because, the panel was all women! I loved the War stories from Chinah Blac, Keshia Jackson, and Lady Alma. These women really opened up allowed me to not feel alone with my struggle being an indie artist without a team. Also, with their stories I still find that Women have to work harder in this industry and often have to act like we have something to prove to get noticed. Learning that a lot of them having been struggling since teenagers in this industry and they are still here grinding, lets me know that I'm doing the right thing and gives me more motivation.
Liberated Muse: What was something you learned that you didn't know already?
CM: I did not know the full details about the Performance Rights Act Bill. Sean Glover of SoundExchange.com, really broke it down to us artist, and in no way does passing this bill to become a law interfere with radio stations losing money or being shut down. Passing the Performance Rights Act Bill will help recording artist to make a living to keep providing "The People" and the Radio with music. Dionne Farris made it plain by stating that "The radio and recording artist need one another to make the marraige work. The Radio needs music or else it will be Talk Radio."
Liberated Muse: Who were some folks you enjoyed meeting and why?
CM: I enjoyed Meeting Darrly of Moods Music. Great Brother that supports great music from great artists! I also enjoyed meeting Promoters from Japan and the UK, and other artists that hustle and stay motivated.
Liberated Muse: Was performing in ATL any different than perfoming in DC?
CM: Performing in ATL was a lil different then the performances that I have done in DC and surrounding cities. I plead the "Fifth" on giving details :)
Liberated Muse: What did you learn and pick up on that you will probably incorporate into your artist life? What can we expect from you in the next year?
CM: I am now taking "Brand Your Self" more seriously after hearing the great Eric Roberson, whom I think is the #1 indie hustler in the industry. So look forward to My album, "Veracity" in December 2006 @ Cdbaby.com and some merchandise in 2010!
Thanks Liberated Muse, where would Chaquis Maliq, be without you!?
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Chaquis Maliq is a singer, songwriting and producer originally from California and now based in Baltimore, Md. Visit her Liberated Muse page HERE to hear some of her music.
Seen But Not Heard, the documentary by Cyrille Phipps
On Sunday, October 4 at Jojo's on U Street, 'Ol Soul Project presents a benefit concert to fund the upcoming documentary "Seen But Not Heard" by New York-based director Cyrille Phipps. The documentary addresses the illness' ravaging effect on Black women across the country. Liberated Muse members Colie Williams, LOVE the poet and Khadijah "Moon" Ali-Coleman are among the performers.
Since the beginning of the epidemic, blacks have accounted for 397,548 (42%) of the estimated 952,629 AIDS cases diagnosed in the 50 states and the District of Columbia. The DC area has the highest rate in the country of AIDS cases proportionate to its size and population. Of all black women living with HIV/AIDS, the primary transmission category was high-risk heterosexual contact, followed by injection drug use
Click here to read more and see a clip from the film
Thursday, October 1, 2009
Colie Williams Dishes on her experience at the International Soul Music Summit
Liberated Muse was happy to be a sponsor of the 2009 International Soul Music Summit which was in September. Four of our members registered to participate and wound up being asked to perform. We asked them a few questions regarding their experience there.
Here is a Q & A with songstress Colie Williams.
Liberated Muse: What were highlights for you from the International Soul Music Summit in Atlanta, GA?
Colie Williams: My highlights were listening to the artists speak on the panels, meeting and interviewing with radio folks, meeting a brother who will most likely assist me with management, and listening to performances by artists and meeting other artists.
Liberated Muse: What was something you learned that you didn't know already?
Colie Williams: There was a lot of confirmation on things. I learned about a lot of sites that I can use for assistance, and just a reminder about the mind/body connection while singing-sometimes I allow my mind to affect my singing, and it doesn't have to. Had to psych myself in last night-I was exhausted, and I just focused on the task at hand- and my singing was fine. Believe me I'm pretty critical of myself, so if I say I pulled it off-I DID! Most folks were friendly, open, and ready to offer assistance. You just had to make yourself accessible.
Liberated Muse: Was performing in ATL any different than perfoming in DC?
Colie Williams: It was only different, because I am use to performing in venues where people know me. It's good to get a critique from folks who have no idea who you are. It's humbling, and it keeps you on top of your game.
Liberated Muse: What did you learn and pick up on that you will probably incorporate into your artist life? What can we expect from you in the next year?
Colie Williams: So many things-right now making sure I have the right folks around me which I was already working on. You have to have folks around you who share your vision-that was confirmation for me. Next year-My CD release and touring! I Believe! Ashe!
Colie performs on Wednesdays at Jojo's on U Street in Washington DC and is a singer and songwriter.